#I needed to clarify this lol
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ieatsprunkis · 2 days ago
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Okay to explain further more, I am well aware that it happens to other fandoms, it’s just that I couldn’t explain properly since I kinda wrote this in the night plus I was kinda pissed off that people are willingly searching up porn drawings of a fandom they’re in and try to “fix” the drawing for their own sake, so that prevented me from explaining properly, so please excuse me I’ll probably edit this and specify on what I’m trying to explain here lol, I’ve gotten another person to say that it’s not only the Sprunki fandom so please if anyone else does see this and is about to say that it happens to other fandom, just know I’m well aware, no need to point it out I also did try to say that it happens to other fandom is in this line, “Why do you willingly search up rule 34 of whatever fandom you’re into and fix the damn drawing?” I’m sure y’all kinda didn’t think I was hinting that it happens to other fandoms and that I am AWARE, so please, don’t tell me that it happens to other fandoms, this little reblog should be enough, so please give mercy on me
boo
I always wonder how people who hate rule 34 function because I seriously saw a video on “FiXiNg SpRuNkI RuLe 34” and it’s like, why are you even trying to “fix” it when you know damn well at the end of the day the original drawing is still up for people to view and indulge in, and if you hate rule 34 so much then why the fuck do you even view it at all? You’re only making yourself more mad and being an idiot. I swear, I’m gonna question my life if I see another video that “fixes” rule 34. And the fact that I see “fixed” rule 34 drawings on some platforms(mainly DA) is ridiculous, and especially that the people “fixing” rule 34 drawing are MAINLY minors is just…Why do you willingly search up rule 34 of whatever fandom you’re into and fix the damn drawing? PLUS YOU'RE A MINOR! THE ARTIST THAT POSTED THAT DAMN PORN DRAWING OF A DAMN SPRUNKI WASN’T MEANT FOR YOUR OWN VIEWING! IT WAS MEANT FOR THE VIEWING OF 18+ PEOPLE RAGHHHH! anyways yeah this is my thoughts on artists that “fix” rule 34
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pbeltarts · 3 days ago
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Hey! I decided it might be helpful to have a reference post for all the details for the AU. I'll update this periodically as new things are revealed or added. - Bec
General Info
This Au is based on Pixie Hollow and the Tinkerbell movies/books! Most of it will lean on the movie lore, but will borrow some lore from the books as well. I also am making up a lot of lore myself to fill in gaps for the storyline or make the translation from MHA easier.
You can learn more about the lore of Pixie Hollow via the wiki!
#MHAPixieHollow
Want to draw or write with the AU and share it? You can use the above hashtag so it'll be connected! I'll try to check this tag regularly so I can share your work! (This should work on tumblr and insta, but I cannot be certain for twitter/bluesky.)
Some General Guidelines:
While my AU has a plot line and is intended to have BKDK as the focus ship, I don't care/mind if you like the designs and want to draw your preferred ship with them! As long as you're nice to others, do what you want! (So even though I'm making this for BKDK, if you like KRBK and like their designs, I don't care if you draw/write that with the AU!)
I do have a storyline for the AU and am working on a fic with that, but! I love seeing others' creativity, so if you want to use the AU for your own writing, feel free! All I ask is that you don't claim anything as "canon" to the AU unless its been stated by me!
Its unlikely I'll be able to design every fairy from 1A or elsewhere, so if I haven't designed them and you want to come up with a design for the AU, do it! I'd love to see it!
If you like any of the art from the AU and want to use it for PFPs/Banners on your social accounts, you're free to do so! I'd prefer credit if you did, thanks!
Most of my work for the AU will be monochrome sketches, so if you want to color them feel free! All I ask is that you properly credit me if you share your coloring.
The Fairies
Izuku aka "Deku" - [design]
Talent: Dust Keeper Alchemy Info: Deku's wings are covered in black veins that creep onto his back and he cannot fly, even with the help of pixie dust. He's given blue pixie dust by All Might and works on alchemy experiments in secret in order to do multiple talents.
Katsuki aka "Kacchan" - [design]
Talent: Fast Flying Info: One of the best fast flyers in Pixie Hollow, he has unique control over the winds. Constantly keeping Deku out of trouble.
Eijirou - [design]
Talent: Animal Talent Info: One of Katsuki's closest friends. He has a best animal friend, a turtle named Boulder, who he visits regularly and takes sun naps on his shell.
Denki - [design]
Talent: Light Talent Info: Playful and excitable, he has a habit of accidentally lighting himself up when excited.
Mina
Talent: Garden Talent Info: Fun-loving and overly social, she loves calling forward a bunch of colorful petals to surprise others.
Kyouka
Talent: Music Talent Info: Likes to play her guitar in various places in pixie hollow for her friends. Momo, the tinker fairy, makes and fixes her instruments.
Hanta
Talent: Scouting Talent Info: Specializes in using vines and ropes to restrain threats. A fairly laid back fairy who likes to bother his friends and laze about when avoiding orders from Hawks, the leader of the Scouting guild.
Ochaco - [design]
Talent: Fast Flying Info: While not the fastest of the flying talents, Ochaco specializes in utilizing winds to create a soft floating affect. She's most useful in helping dandelions find their way to the pixie dust tree or assisting in soft landings.
Shouto - [design]
Talent: Light & Frost Talents Info: Shouto is a unique fairy where two dandelions were growing from the same stalk when it took flight to Pixie Hollow. Because of this, him and his intentional sibling became one when influenced by Pixie dust, making him both a Summer and Winter fairy. Because of this, he can do 2 talents and also survive in both climates for elongated periods of time. However, he cannot stay in one place for a whole year, and regularly has to move between the Summer Glade and the Winter Woods.
Tsuyu
Talent: Water Talent Info: One of the only Water fairies that willingly gets into water, though she doesn't submerge her wings and only stands in shallow ends. She calls Izuku "Izu-chan."
Tenya
Talent: Fast Flying Info: A very structured fairy, he doesn't like deviating from his schedule. He's considered possibly the fastest of the fast flying talents but his wind control is lacking.
Hitoshi
Talent: Dust Keeping Info: Always tired. One of Izuku's closest friends, he'll defend Izuku in his own way from others. Has some unspoken guilt that he maybe somehow was the reason Izuku's wings formed incorrectly.
All Might
Talent: Unknown Info: When acting as king, All Might presents himself in a full-bodied muscled form. But out of the public eye, he presents as a feeble older fairy named Toshinori. The other fairies outside of the Never Council and Fairy Inko don't know that they're the same people, which allows Toshinori to speak comfortably with others and keep an eye on Pixie Hollow from the sidelines. Izuku meets Toshinori and helps him with something, despite the task being far harder without the help of flight, and Toshinori sees how hard Izuku is trying and feels something special about him, so he gives Izuku a supply of blue pixie dust.
More TBA!
Other Characters
Eri
Eri is a human child whose laugh Deku was born from. She lives a difficult life.
Mirio aka "Lemillion"
Mirio is a blonde mouse and Eri's only friend, who attempts to look out for her and make her smile. Eri gave him the nickname "Lemillion" because it sounds like 'lemon' (because of his fur) and how he's 1 in a million.
More TBA!
F.A.Q.
What happened to Deku's wings? Can he not fly?
Deku's wings did not work since his arrival. They look different from others' wings and don't respond to pixie dust, so he cannot take flight. Because he was born from Eri's sorrowful laugh, there was not enough joy in it for him to form correctly. [You can see Deku's Birth comic here!]
What about [insert character name]?
I have plans for most of the main cast from MHA, but not all of them will be fairies. As for other characters, like students from 1B or other NPCs, I don't have solid thoughts for all of them and really only think of them if I plan to insert them into the story so I probably don't have a role for them.
How did Katsuki and Izuku meet?
Katsuki met Izuku on Izuku's arrival day! He was the fairy to see Izuku's dandelion come into Pixie Hollow and aided it to the Pixie Dust Tree. [You can see the comic here!]
Is this a fanfic or comic I can read?
Right now, all that exists are the little snippet comics and drawings I've made. However! I have a storyline in mind for the AU set roughly 6 years after Deku's birth, and I'm going to try to write it! I'll definitely share it when I'm able.
Will there be other ships in the AU other than BKDK?
Probably! But I haven't given it much thought or focus yet.
Can I cosplay your fairy designs?
ABSOLUTELY!! And please show me because I will cry.
Am I allowed to do fanart/write something for the AU?
OF COURSE!!! Please please share it with me too I'd love to see it! You can also use the tag #MHAPixieHollow !
More TBA as needed.
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caligvlasaqvarivm · 3 months ago
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Actual Ultimate Classpecting Guide
For real this time.
Buckle up, this is a really long one. For everything that's posited, I can provide textual evidence; that being said, I'm not going to be including the textual evidence within the essay itself, because it's already long enough as-is. As such, please feel free to ask for clarification or sources on any assertion, and I'll do my best to provide.
Before we begin, there's some things to discuss about how we're going to be approaching classpect in the following essay. In numbered list form for our short attention spans:
1. There is a concept Hussie talks about multiple times in his book commentary, "personality alchemy" - the idea that there are these "platonic ideals" of certain characters, which can be mixed and matched with others, in order to create new characters. The examples he gives are of how Eridan was a proto-Caliborn, how Kanaya has shades of Jade, how Nepeta was a proto-Calliope, and how Sollux and Eridan have shades of Dave in them. Classpecting is fundamentally a form of this personality alchemy:
2. Class describes the character's arc and emotional hurdles, while Aspect describes the character's base personality traits by which this arc is experienced.
3. For example, all three Seers struggle with hubris: Rose's need to be the smartest person in the room led to her being manipulated by Doc Scratch, Terezi's obsession with meting justice led to her engineering a situation where the only option was to kill Vriska, and Kankri's desire to be seen as a spiritual leader amongst his friends led to him furthering their divisions and harming them.
Then, when their pride is shattered, they cope by inflicting willful self-blindness: Rose turns to drinking herself stupid (the opposite of Light's sway over knowledge), Terezi gets down with the clown (the opposite of meting out Mind's justice, as it's a Gamzee W), Kankri goes celibate (Blood L) despite his clear romantic feelings for certain teammates.
4. As for Aspect: note how all three Life players share the personality traits of optimism, stubbornness, and obstinacy. All three Breath players share an immaturity and naïvety, and are quite frankly irresistible to people for some reason. All three Light players share a need for the spotlight and a tendency toward long-windedness and persnicketiness. So on and so forth.
What's interesting is, if you start analyzing characters that share Classes and Aspects, these specific types of similarity crop up over and over - all our Knights struggle with insecurities and facades, both our Bards have a crisis of faith. All three Breath players have an aspect of immaturity and childishness to their characters, and all three Light players are deeply concerned with appearing intelligent and feeling important.
5. As a result, this guide is NOT intended for classpecting real life people, because we are complicated, we contain multitudes, and we don't have arcs. This is primarily an analysis of what Class and Aspect mean in Homestuck based on textual evidence, because I genuinely believe that you can basically figure it out if you read carefully.
6. Duality, and the idea of "equal and opposite," are major themes within Homestuck - Prospit and Derse, Skaia (described as a crucible of birth and creativity) and the Furthest Ring (the literal afterlife). Which classes are involved in an Active/Passive split, and opposing Aspects, are the same way. This is the primary method I used to determine the Active/Passive pairings and opposing Aspects. After all, as Callie describes, both Thieves and Rogues are classes "who steal" - so, too, do I try to unify Classes by a common theme, even if they diverge wildly in how that theme is expressed (as Thieves and Rogues do). In the same way as the opposite of "up" is not "apple," but "down", because "up" and "down" are both fundamentally concerned with relative vertical position, so too can be defined concepts like Breath and Blood, Hope and Rage, Light and Void - as well as the reasoning behind Class pairings like Heir and Page, Maid and Knight, and Seer and Mage.
7. Descriptions for both Class and Aspect are left deliberately vague and up to interpretation within the comic itself, and this is by design: the actual manifestations of an Aspect can vary wildly given the Class, and even individual person, that it's tied to. Calliope even makes note of the fact that, under the right circumstances, someone can manifest effects that appear to be the opposite of their aspect. She's also careful to couch her language in "may" and "can" - because these concepts are intentionally somewhat nebulous and malleable. As such, while this guide certainly lays down what can be gleaned and inferred from the text, do note that Homestuck runs on a soft magic system, and as such, nothing stated is firm, 100%, must-always-be-this-way - just an overview of what we've seen.
8. There is often great overlap between Aspects, Classes, and Classpects - which Calliope herself notes. Heart and Blood are one of the most salient, as they both have a fixation on relationships, and Calliope mentions that under the right circumstances, a Classpect may even be able to manifest what appears to be the opposite of their Aspect. Again, Homestuck operates on a soft magic system, so this is a feature, not a bug.
ASPECT
There's a little less to say about Aspect, not because it's less complicated, but because "base personality traits" are much more nebulous compared to Class's sway over character arc. Still, Aspect represents the fundamental way a character is, and thus, color every interaction that character has. There's a reason Ultimate Selfhood is sought through Aspect, not Class - Aspect is the core of the character's being, what makes that person that person.
That all being said, Class has major sway over how an Aspect manifests, and certain classes can even invert the Aspect and even the character's role in the party. As such, these descriptions must be parsed carefully in relation to Class. Moreover, due to the soft magic system, there is at times overlap between unrelated Aspects, which can also be exacerbated by Class - Heart and Blood being the most obvious in this regard. Still, overall, you'll find the Aspects to be fairly distinct from one another.
Please also note that every Aspect can deal with its literal counterpart by default - Light players can wield lasers, Breath players can wield the breeze, et cetera. Because this kind of goes without saying, and because the non-literal stuff is more interesting to discuss, I'm not really going to go into too much detail about the literal qualities.
Finally, something interesting to note is that nearly every Aspect follows its own Hero's Journey cycle - full actualization for each one usually means reaching around to its opposite Aspect, and taking lessons from them - for example, Breath players need to learn maturity and responsibility, while Blood players need to learn relaxation and whimsy. Thus, an Aspect at its worst manifests in two ways - either a toxic overabundance of the Aspect's worst traits, or such a dearth of the aspect that it begins to resemble its opposite. Only by reaching into the opposite, however, can the player be tempered and reach full maturity - can they become more of who they are.
SPACE / TIME
Space and Time are both concerned with physical reality, goals, and the way one approaches them.
Space is associated with "the big picture" - with recycling, reproduction, and the interconnectivity of all things. The aspect also presides over the enjoyment of the journey over the destination - Space players serve as reminders that the present moment is as important as the end goal. Space is often a more passive Aspect, being the stage upon which the story is set. They're the hosts of the party, and the one who marks the ending.
Its players reflect these tendencies, often being feminine, with penchants for life-giving acts such as gardening. Their personalities tend towards frivolity and silliness, finding it difficult to stay on-topic or bring full gravitas to serious situations. Perhaps a better word would be "distractable;" when the aspect is so concerned with all things in connection with each other, it's easy to lose track of details, and it's easy to enjoy things simply as they come. Space players tend to be kind, patient, and forgiving, which is a strength as much as it is a flaw; it's easy for malicious actors to take advantage of this compassion, or for the Space player to find themselves in a poor situation by being overly permissive. They can easily be painted over by stronger personalities, and tend to struggle with romantic relationships, as they attract many with their kind and giving natures, and few are naturally so considerate of the Space player in turn.
"Passive" is a good word to use; at a toxic overabundance of their Aspect, Space players are trampled underfoot. They become enablers, servants to dark forces, or so lost in their own worlds that they neglect the one they live in. With their Aspect "inverted," a Space player becomes a demon of poor prioritization. Distracting not just themselves from their true purpose, but others, too, the Space player will wreak havoc by overemphasizing unimportant topics and ignoring important tasks. This superficially resembles Time, in that the Space player will become fanatically dedicated to their task, but note that the poor prioritization is still Space-esque at its core.
Still, within this nadir is a valuable lesson: the strength of self-assertion, and the determination to see a goal through. These will allow the Space player to weed their garden, separating good from bad, allowing it to flourish like never before.
Time, in contrast, is associated with "the little things" - with details, minutiae, and processes. Time presides over the struggle toward something greater, the endurance of hardship with an eye on the prize - the destination over the journey. Time players are the ones keeping track of the tasklist, marking off each item as it reaches completion; they are the tireless workers keeping the whole engine running.
Time players, thus, are ones whose lives are marked by struggle. They are highly goal-oriented; in contrast to how Space players can easily move from goal to goal, task to task, Time players feel bound to see things through to the end, finding satisfaction only when they've achieved their desired result - and only until they come across the next goal in their journey. A Time player isn't happy without a goal to work towards, a craft to polish, a prize to win - but this driven nature can easily be its own downfall, as it leaves little room for the player to admit to their own shortcomings, or ask for help from others. Moreover, their focus on minutiae can leave them blinded to the bigger picture, and it's easy for a time player to fall to despair, able to do nothing more but spin their wheels. They're prone to directionless anguish, frustration, and resentment towards the seeming futility of their actions, becoming destructive and defiant even when it doesn't serve them to do so.
At a toxic overabundance of their Aspect, Time players become explosively destructive. The ultimate "goal" of all things is death, with which Time is associated, and accordingly, Time players have a penchant for aligning themselves with futility and entropy, struggling so hard that their thrashing leaves a trail of annihilation in their wake. With their Aspect "inverted," Time players detach entirely - they can become so fed up with struggle that they simply opt to lay their weapons down and let the end take them. It's very easy for them to come to the conclusions that either everything matters, or nothing matters. This superficially resembles Space and its big picture thinking, but note that its framework of struggle, and whether or not a goal needs to be pursued, makes it a Time concern.
But the inherent meaninglessness of existence is, in itself, an important realization to make - that whether or not anything "matters" in the grand scheme, things can still be worth doing, worth caring about, and worth investing in. This realization allows the Time player to attack their goals with renewed vigor and greater clarity, which in turn means that the party becomes an efficient, well-oiled machine.
BREATH / BLOOD
Breath and Blood are both concerned with directionality, interpersonal relationships, and autonomy.
Breath is the Aspect governing freedom, liberty, and independence; it is a force that breaks shackles, clears out social norms, and refutes "the rules," whatever those rules may be. Breath players can't be tied down, whether by physical bonds, societal rules, or even the ineffable forces of the narrative itself. They are leaders of example, pioneers, and trailblazers, opening new paths for their teammates to follow.
Breath players are goofy and gullible, often with hearts full of childlike whimsy, naivety, and even immaturity. They are friendly and well-meaning, fond of simpler things, and easily swayed by others. They approach the world with a sincere and innocent good-naturedness, like a baby animal before it learns to be fearful of danger. Something about this sincerity seems to make Breath players irresistible to others, and they often find themselves the subject of romantic attraction. However, in this childishness is also the great pitfall of many Breath players - their natures are naturally conflict-averse, and egotistical the way a child can be, failing to see beyond themselves. They can be incredibly callous when not considering the consequences of their actions, or the viewpoints of others.
At their worst, Breath players are irresponsible and callous. They'll shirk the consequences of their actions, blaming anybody but themselves, or simply choose not to care who they hurt in order to get what they want. They may even choose to stop making choices for themselves, leading to the "inversion" of their Aspect - a voluntary loss of freedom and independence, derived from an Breath-like aversion to responsibility, which superficially resembles the bondage of Blood.
But if they are able to overcome these tendencies, a Breath player will learn what true responsibility looks like - responsibility for themselves, their choices, and the effect they have on others. Armed with this, a Breath player's ability to break bonds can be focused into a clear force for good, clearing away all obstacles and harmful societal standards, leading the charge into something new and beautiful.
Blood, in sharp contrast, is the aspect that governs bondage, contracts, and interdependence. It is a force that binds. Under Blood's sway are not only romantic entanglements, but familial, friendly, and societal ones as well. This aspect sees overlap with Heart, but the division is this: Heart concerns itself with feelings, and Blood concerns itself with compatibility. Blood players are diplomats, forces that remind us all that we are more similar than we are different, and that that similarity should bring us together when we are on the verge of pulling apart.
Blood players, reflective of their Aspect's association with bonds, tend to be neurotic and obsessive. They have a tendency to over-examine and overthink, constantly fretting over the infinite and infinitesimal variables that influence the shape of society and interpersonal relationships. However, this judgmental nature stems from a deep well of idealism and empathy; Blood players can't help but care about others and wish for the best for them. In a way, this makes them one of the most mature members of the team, being concerned with its overall well-being. Unfortunately, their prowess does not extend inwards, and their assessment of themselves is usually direly incorrect - all the worse because Blood players always feel responsible for those around them. Blood, being the Aspect concerned with interdependence, is the weakest one when all alone.
Thus, it's easy for the Blood player to wind up controlling - desperate to make sure everyone is moving according to their vision, they'll become iron-fisted dictators, with a "my way or the highway" approach to social interactions. It's easy for them to wind up pariahs of their own making, becoming so critical of others, or so adamant about enforcing their own will, that they inadvertantly sever their ties - something that superficially resembles Breath's independence, but is truly a result of Blood's neuroticism.
But with that space and separation can come great clarity. Blood players must learn to relax their grip, and allow people room to breathe - including themselves. Once able to grasp that sometimes bonds must be forged with a soft touch, Blood players' natural empathy shines through, allowing them to build something so much kinder and greater than the sum of its parts.
LIGHT / VOID
Light and Void are both concerned with knowledge, ontology, and "narrative relevance".
Light (as well as its counterpart) are perhaps best understood through the lens of "narrative" - this idea that, of all things that do and don't exist, and all events that do and don't happen, only the ones put to page are "relevant". Thus, Light is associated with knowledge and luck - that is to say, it's associated with the knowable, the objective, and the concrete, and the ability to determine "important" events. Light players have read the book they're participating in, and able to serve as luminary guides from one plot point to another, lighting the lampposts for others to follow.
Light players, naturally, are erudite and educated, possessing keen intellects and cunning minds. They are fond of knowledge itself, of markers of status and prestige - whether that's wealth, the adulation of the masses, or a massive library. They harbor a desire to be important, to be seen, to be acknowledged, and are happiest when they are looked up to. Conversely, they deal poorly with being looked down upon. Their confidence transmutes easily into hubris, and they struggle with having that pride challenged. As such, they tend to be volatile and unpredictable, quick to retaliate against those who threaten their egos, or obsequious to those whose acknowledgement they desire.
Their desire for the limelight can quickly spell disaster - they can become incredibly cruel, harsh, and egotistical in their pursuit of narrative significance. They forget, in their obsession, that they, too, are fallible and flawed, and the inevitable reminder can come very harshly. Light players struggle with moderation, and as such, when they feel shame, they'll often take drastic measures to cope with it - deliberately darkening their own influence or intellects, removing themselves from the "story" entirely - something which superficially resembles Void's penchant for the background, but which is firmly rooted in Light's obsessive need for drama.
But in experimenting with narrative insignificance, Light players can reach an epiphany - in their absence, others may shine, and that can be a wonderful thing. Light players, then, can learn to shine not just for their own sakes, but for the sake of others, allowing them to weave a story even more brilliant than any that can be weaved alone.
Void, in contrast, is the blank spaces between the words. That which is secret, subjective, unknowable - these are Void's domain. It's associated with taboos and hidden things, sexuality and pleasure. It's also associated with the empty canvas - the blank space before creation, and the oblivion to which creation is eventually destined for. Thus, it stands for infinite possibility, though the collapse of those possibilities into a reality removes that reality from Void's domain.
Thus are Void players ever cosigned to the background, though this generally suits them fine. Void players are very self-possessed. Where Light players tend to exaggerate and complicate, Void players are honest and simple, preferring straightforward solutions. They don't tend to think very hard, instead letting intuition and emotion guide them to where they want to be - which makes them one of the more stable personalities on a team. However, this simplistic, feelings-driven approach often leads to pleasure-seeking behavior, poor impulse control, and overindulgence in vice, and from there, to irrelevance, with which Void is so closely interlinked.
Void players are especially prone to vice, and at their worst, will become so drunk on pleasurable activities that they pursue them to the active detriment of the party's goals or the Void player's self-improvement - making them the ultimate irrelevant character. They can also very easily drag others into their mélange, with a forcefulness that resembles Light's illuminating guidance, but which is ultimately rooted in Void's pursuit of personal pleasure.
But there's a lesson to be learned in Light's domain: how to bring themselves into relevance and greatness. A Void player, once they learn to pursue not just personal pleasure, but a greater satisfaction for the collective whole, can drag the Void behind them, kicking and screaming, to where it'll be of use.
MIND / HEART
Mind and Heart are concerned with what it means to be a sentient being, with identity, and with why we do what we do.
Mind is the Aspect associated with logic, rationality, karma, ethics, and justice. To a Mind player, they "are" because they "think". They are keenly aware of the consequences of every action, and well-versed in cognition and behavior, such to the point of manipulating others with ease. Deeply concerned with the "effect" of cause-and-effect, Mind players are always cognizant of debts and credits, where justice is owed and where it has been over-meted, and their subtle machinations culminate, like well-placed dominoes, in grand and explosive finales.
Mind players are schemers - it's in their nature. They have a tendency to view the world as a puzzle or game, with themselves and the people around them as pieces on a board, and set as their standard rules the laws of ethics and karma - owed debts and overhanging credit - guilty and innocent. Mind players are wickedly cunning, and have an high success rate with every scheme they commit themselves to, but the grand downfall of all these tendencies is that they tend to lack in a sense of identity, and have a poor grasp on their own emotions or desires. While they may know how to provoke a desired reaction, they don't know how to change someone's mind. They often find themselves grappling very painfully with their own selfhood, with feelings of emptiness, inadequacy, or uncertainty.
Thus, a Mind player at the worst zenith of their Aspect is heartless and cruel. Leaving no space for empathy or even personal feelings in their plans, the Mind player will plot for an ending as heartless as they are. But a Mind player is never truly without emotion, and ignoring their own feelings causes them to manifest in terrible ways - Mind players have a tendency to seek toxic, codependent relationships, hoping to find external validation, subjecting themselves to the wishes of others, which can appear like Heart's fixation on feelings and desire.
But in recognizing their own need for emotional validation, and the importance of their own feelings, a Mind player can realize that there's an entire dimension to the game they've been playing that they've been ignorant of. When a Mind player learns to temper their schemes with empathy, compassion, and kindness, how much more success they'll see - and how much happier that grand finale will be!
Heart, then, is associated with feelings, motivations, intuition, the soul, and the self. To a Heart player, they "are" because they "feel" like they are - and they're keenly aware of the multitudes that are contained within themselves. Deeply concerned with the "cause" of cause-and-effect, they're drawn to desires, those of themselves and of others, especially where strong feelings are concerned. Heart players are gifted with an intuitive understanding of those around them, both their good and bad qualities, and are tasked with the grand task of bringing out the best.
It stands to reason, then, that Heart players have a firm grasp on who they are and what they want. For the same reasons, it's difficult for a Heart player to truly hate or condemn another person, because they are so adept at understanding them. However, this understanding comes with a price - because the Heart player is so aware of themselves, they can't escape their own worst traits - nobody self-loathes as accurately as a Heart player can. Nor can they ever truly be untruthful with another, making them poor manipulators. Capable of presenting a different facet of themselves as the situation calls for it, certainly, but just as it's impossible to lie to a Heart player, who always knows how someone really feels, it's impossible for a Heart player to lie to themselves.
With this sincerity comes vulnerability. Heart players wear theirs on their sleeves, and at their worst, this can make them demanding, needy, and sensitive - so eager to connect with others emotionally that they'll cramp themselves to fit others' desires. But they can't ever keep this up for long; Heart players have a tendency to withdraw from others after being hurt too often, finding it easier to be alone and silent about their feelings than to deal with the pain of rejection. They may even work to manipulate others, preying on their emotions and desires to force them to act in their worst interests. This superficially resembles Mind's cold logic, but unlike Mind's cool rationality, Heart's aloofness is a mask, an attempt to avoid pain by pulling away.
But this isn't purely a negative, because a Heart player can learn a healthier form of detachment, and separate out healthy and helpful desires from harmful and detrimental ones. Given this clarity, the Heart player becomes the team's emotional core, able to raise up each teammate's best qualities, while helping them deal with their worst, enabling everyone to be the best possible version of themselves - which the Heart player knew them to be all along.
LIFE / DOOM
Life and Doom are concerned with outlook, with journeys, and with trials and tribulations.
Life is an aspect concerned with healing, growing, and improving. It is associated with beginnings, optimism, and positive emotions. The very essence of Life lies in its healing abilities, in this idea of overcoming the odds and triumphing over hardship and difficulty. Life is action, movement, and motion, and its players can scarcely hold still. Life will find a way - and Life players harbor the same immutable belief; they are the most stubborn weeds in the garden, the cockroach that survives the apocalypse, and the beating heart that refuses to stop.
Life players tend to be optimistic and confident. They are self-assured individuals, with a stubborn belief that good things are on their way, and any hardship they face is not only temporary, but something that can be overcome. They can find the silver lining in any cloud, and enjoy themselves under any circumstance. They love to nurture, to care for others, though this love has a tendency to be one-sided. Indeed, Life's stubborn nature is its players' greatest pitfall; their persistence easily becomes obstinacy, and their confidence can become condescension. Their self-assured nature easily becomes egotism, and they can have great difficulty grappling with those who don't share their views - even coming to oppose those who bring emotional pain and suffering that can't be easily fixed.
It's very easy for a Life player to decide another person isn't worth their attention, and opt to leave them behind - after all, Life has to move forward, no matter what it tramples in the process. At their worst, they're stubborn to the point of not listening to anyone but themselves, confidence becoming blockheadedness. This focus on forward progress without looking back can even cause Life players to become harmful to others, so focused they are on their own growth that they don't notice that they're choking everyone else out. This may resemble Doom's death in its worst case - arresting everything else, eventually blocking even their own path with unruly, out-of-control fecundity.
Thus, a Life player needs to learn to more gracefully accept Doom's influence - to pause, slow down, and consider viewpoints that are negative, unpleasant, or difficult. A Life player, endowed with moderation, will be able to cultivate a bountiful garden, rather than an unruly jungle - a place for all to flourish and live in plenty, never wanting for anything.
Doom, then, is the aspect concerned with death, with rest, and with endings. Doom is associated with suffering and with negative emotions, with peace, with sleep, and with dreams. Doom players have a natural penchant for prophecy, and are often dual dreamers, able to take advantage of both Skaia's oracular clouds and the Horrorterrors' voices over Derse. All things must eventually come to an end, and not all times will be good; in these troubling times, Doom players shine, as they are the guides who call the murk home, and know best how to navigate rough waters, course-correcting until the storm passes.
Doom players tend to be deeply pessimistic. They experience, to a much more magnified degree than others, negative feelings and impulses, and it's difficult for them to see the world without seeing its flaws, first and foremost. They are not healers, but commiserators, those who understand greatest that sometimes there's no way to deal with tragedy but to simply sit with it and wait for it to pass. The counterpoint to Life's insistence on breathless positivity, Doom is a reminder that pain, grief, sadness, shame, and guilt are not unnecessary things - in fact, excising them can lead to terrible consequences. Doom players are the universe's martyrs, often taking it upon themselves to course-correct, to sacrifice themselves in order to give others a chance to continue on, to avert a terrible fate.
Unfortunately, this tendency also brings with it a tendency for Doom players to wallow in misfortune, or worse, to take themselves out of the picture, giving up entirely on seeing a better ending. As if energized by their own sense of futility, a Doom player at the "inverse" of their aspect may seem to echo a Life player's focus on forward progress and motion, actively spurring their team on towards an untimely demise.
A Doom player must learn to harness this sense of progress for good, rather than harm. A Doom player, once able to grasp the joy of life even in the greatest depths of despair, will be able to fill even the darkest hours with peace, meaning, and hope.
HOPE / RAGE
Hope and Rage are concerned with permission, and are the lens by which we define reality.
Hope is described by Hussie in the book commentary as being "framed as the most powerful aspect" because it is, literally, an aspect that defines reality. Its specific ability is lies in reducing the "fakeness attribute" of something, thus making it "real". Hope is associated with convictions, with idealism, with faith, order, holiness, and, of course, with magic - which Hope turns real. Hope is permission itself - a reality-breaking ability to look at the world and decree that it must be another way, a way in which the Hope player believes it ought to be.
Thus, Hope players tend to be hard-headed zealots, with no self-awareness whatsoever. Their inclination towards powerful beliefs makes them very difficult to dissuade from a path they've set their minds to, and their specific suite of abilities makes them terrifyingly likely to make their vision come true. Hope players are usually not particularly cunning, nor particularly intelligent, nor even particularly empathetic. Given the Aspect's focus on conviction and faith, it's usually very difficult for Hope players to notice anything occurring beyond their own minds and feelings. Thus are Hope players hopeless optimists, hopeless romantics, and hopeless in general - often great sources of embarrassment to their teams, as their naked sincerity is painful to witness. However, their ability to define reality does not leave them when their beliefs are faulty (which they often are, given Hope players are not particularly introspective, either), which is what makes a Hope player so dangerous.
A Hope player can easily be set on the wrong path - as convicted as they are, and as difficult to shake from that conviction as they can be, Hope players can easily march down a path of destruction, if not persuaded with a deft touch and gentle guidance. In the event that their faith is broken, Hope players easily become despondent and lost, floundering and wishy-washy, which superficially resembles Rage's self-consciousness, but is truly just a lack of direction.
But Rage has a powerful lesson to teach Hope players - that of questioning themselves, interrogating their own beliefs. Once their convictions have gone through rigorous scrutiny, revised into the best, brightest versions of themselves they can be, a Hope player is a worker of miracles - speaking into existence a beautiful future on faith alone, proclaiming that how they see the world is how the world shall be.
Rage, then, is the power of denial. If Hope reduces the "fakness" of a thing, then Rage reduces its "realness". Rage, too, is a means of defining reality, in this case taking a torch to the aspects of reality that it rejects. In more passive Classes, this works in subtler ways, stoking others towards destructive fury. Rage is associated with anarchy, chaos, revolution, destruction, anger, and nihilism. A Rage player will not suffer a world that does not satisfy them, breaking it to pieces, such that something new can take its place.
Therefore, Rage players are prone to harboring anger and resentment, discontentment with the status quo, and faith only in that what currently exists must somehow be dismantled. However, unlike Hope players, who can't help but be pathetically sincere, Rage players are incredibly self-conscious, and often try to mask and hide their embitterment and anger. This, ironically, leads to further ostracization, as others can tell they're being inauthentic. This only further compounds their sense of alienation, and drives them further into smoldering resentment. This makes Rage players sound volatile and dangerous, and they are - but the same fury that moves them is the fury that ignites revolts and tears down oppressive regimes, a necessary and vital well of energy and momentum. It takes careful handling to ensure that the team's Rage player can channel this energy towards righteous causes, rather than marking all as a target for their destructive ire.
In the worst-case scenario, the Rage player turns that rage out indiscriminately, deciding that there is nothing worth fighting for - only unpleasant things to be brought to ruin. This is Rage at its toxic overabundance. Conversely, a Rage player can retreat so harshly into their mask that they allow others to dictate their beliefs, taking them to heart - an action motivated by Rage's destruction (this time, turned inwards) that superficially resembles Hope's convictions and faith.
The true path for a Rage player is a healthy balance - to allow themselves some of Hope's sincerity, and by doing so, to become more sincere and true. This will let them release the pressure of their mounting ire, such that it can be converted into productive, rather than destructive, energy - the heralds of a revolution, razing away the faulty, corrupt old systems such that something better and new can take their place.
CLASS
As previously stated, Class governs a character's character arc - the character's starting circumstances, whether their conflict is primarily internal or external, and what major aspect of their Aspect becomes a hurdle for them to overcome.
In the same way an Aspect's sways tie into the character's base personality, the character's Class abilities tie into the kinds of struggles they face, and have great influence on how their Aspects manifest.
That being said, a character - and their Class - are always subject to their Aspect, as their Aspect is tied fundamentally into who they are. Thus, it can be said that a Light player will always have an affinity for knowledge and provide Seer-esque guidance even when not in a Seer role, a Doom player will always have prophetic abilities even with a non-prophetic class (note that Mituna, an Heir, still had prophetic visions, despite those generally being the realm of Mages and Seers), and a Life player will always have a penchant for healing, even paired with a destructive Class like Prince or Thief (the Condesce, after all, could still extend life; a Prince of Life would likely manifest not as one who causes plants to wither and die (this would actually suit a Prince of Doom), but one who destroys in the way of nature overtaking an abandoned shack, or a forest breaking down a body).
This means that when a character's Classpect inverts their Aspect, it doesn't mean that they suddenly become a hero of the opposing Aspect - rather, it means that, at their very worst - at the nadirs of their character arcs - they will lean so much into their Aspect's worst traits that it will superficially appear as the opposite, when all it really is is an absence of themselves. Dave, a Time player, usually so attentive to detail (despite his disaffected facade, he's always paying rapt attention to Karkat's rants, and noticing all the clues pointing to his destiny of defeating LE), at his lowest emotional point (arguing with Grimbark Jade after sobbing about his lost childhood whimsy), states that he doesn't think Lord English is that big a deal, and never even did anything directly bad to him or his friends - when he was literally directly haunted by LE via Cal his entire childhood. Similarly, Rose drinks herself stupid in order to cope with her mother's death.
Note how, superficially, this almost appears to be an invocation of Space's "big picture thinking," its passivity and permissibility, or how Rose's case appears to be Void's tendency to indulge in vices and pleasure - but they're not. Time's worst traits superficially resemble Space, Light's resemble Void, and vice versa - Grimbark Jade is the Condesce's taskmaster, and Porrim at her worst was as much of a nag as Kankri, trying to do a Time player's managerial job. Horuss and Equius at their worst won't shut up and won't stop talking over their partners. So on and so forth.
Finally, Calliope tells us a couple things about Active/Passive pairings. The first is that Calliope introduces the idea of paired classes with the idea that both Rogues and Thieves "steal" (and later, that both Princes and Bards "destroy"). This presents the idea that both classes can be roughly summed up with the idea that every pairing can be summed up with a common theme.
The second is her description of what makes a Class Active versus Passive - that Active Classes move their Aspect to benefit themselves, whereas Passive Classes allow their Aspect to be moved in order for others to benefit. In a way, they're like active and passive voice in grammar (to tie in with the way Classes and Aspects are so tied to ideas of narrative and character arc) - an Active Class performs their Aspect, and a Passive Class allows the Aspect to be performed "by others" (the famous piece of advice regarding telling the two apart being that a sentence written in passive voice can have "by zombies" tacked to the end of it - eg, John is attacked "by zombies", as compared to active voice - John attacks).
Thus, the Class pairings, along with their basic themes, are as follows:
KNIGHT - / MAID +
"One who controls."
Knights and Maids are paired together through two key factors: the first is that they both hold leadership or managerial roles; the second is that both classes carry the connotation of serving a Lord. Fittingly, they are both struggle with the control of malicious forces - Knights with prophecies indicating their role as heroes, Maids with direct usurpation by malicious forces.
PAGE - / HEIR +
"One who inherits."
Pages and Heirs are paired together because they both fundamentally deal with the great inheritances placed before them. Pages can come into incredible, limitless power - but they must struggle and work hard for it; Heirs begin the game in societal comfort and wealth, and must learn to defect from their decadence.
THIEF - / ROGUE +
"One who steals."
Thieves and Rogues are highly adaptable, as Thieves are capable of fantastic on-the-fly adaptation, whereas Rogues have an infinite toolbox at their disposal. They are both provocateurs, shakers of the status quo, though the Thief does so for personal gain, while the Rogue does so to right injustice.
MAGE - / SEER +
"One who guides."
Mages and Seers are tied together by the gift of prophecy and future sight. Seers are privy to the endless branching paths that the future may take, while Mages are gifted with the ability to outright determine a future that will certainly happen, appearing to be prophecy.
WITCH - / SYLPH +
"One who changes."
Witches and Sylphs are individuals blessed with great magic, but poor judgement. Sylphs heal and nurture, but are drawn to those with strong desires, and enable them to cause great harm; Witches, meanwhile, possess strong emotions, which they often use as moral guidance, for better or worse.
PRINCE - / BARD +
"One who destroys."
Princes and Bards are representatives of society - the one who determines its course, and the one who recounts its passing. Princes suffer from a toxic overabundance of Aspect, and are prone to spectacular meltdowns, whereas Bards are always poised for a crisis of faith. Both are responsible for catastrophic failures - but also breathless victories.
INDIVIDUAL CLASSES
KNIGHT
"One who controls [Aspect] or controls using [Aspect]."
Knights are frontline warriors, rallying points behind which the party falls into line. Although they are often leaders, just as often, they are logistical planners, strategists, or simply the team's beating heart. They are almost always thrust into positions of narrative significance, often carrying grand destinies or even outright heroic prophecies on their shoulders. The are the party's rallying force, its center, and a guiding light - the one to lead the charge, behind which the party will follow.
The primary character struggle a Knight will have is with crippling insecurity. Knights are prone to self-loathing and imposter syndrome, and will often adopt a façade in direct opposition to their aspect (ie, their fundamental personality) in order to cope with their feelings of inadequacy. Thus, their relationship with their aspect becomes love/hate - though they're naturally drawn to their aspect, and even naturally skilled at utilizing it, they have a tendency to become their own worst enemy, as their insecurities make them push their façades, and their façades distance them from their aspect.
"Controlling their Aspect" means that the Knight has easy access to their Aspect, wielding it like a tool or weapon - for good or for ill; "controlling using their Aspect" is what grants Knights their leadership abilities, able to dictate how others ought to act in accordance with the Knight's Aspect - whether their understanding of their Aspect is high or low, whether their advice is good or bad.
Therefore, at their worst, a Knight will fall prey to their insecurities, retreating into their facades, rejecting their Aspect, which will allow disharmony or misuse of it to proliferate throughout the team. They may even wind up deliberately twisting their Aspect's presence within the team so that they never have to be confronted by it; these distortions ripple outwards and eventually culminate in major catastrophes, all on account of the Knight's negligence.
But at their best, a Knight is a shining beacon and guiding light; when they come to terms with themselves, and allow themselves to be comfortable in their own skin - when they no longer allow themselves to be ruled by their insecurities and anxieties - they ensure that their aspect is harmonious wherever it appears throughout their party, and can wield it expertly as a weapon, as if it were their own flesh and blood.
MAID
"One who allows control through [Aspect] or allows [Aspect] to be controlled."
Unlike Knights, which take positions of frontline prominence, a Maid is a managerial presence in the backlines, though no less crucial for the smooth functioning of a party. Just as the invisible hands of the hired help keep a household running, the Maid will be called upon to provide vital services to keep the game stable, even if those services are more noticeable by their absence than their presence. Maids are often the party's unsung heroes or even shadow leaders, tugging at invisible strings, fingers on the pulse.
A Maid's primary character struggle will be that of escaping oppression. Maids tend to start the game in positions of subjugation or subservience, especially to malicious forces, and their abilities often end up being exploited to serve their masters' ends. Therefore, one may even have the impression that a Maid is ruled by their aspect, held prisoner and slave - at least until they're able turn the tables.
"Allowing their Aspect to be controlled" means that Maids are capable of directly dispensing their aspect unto others - a Maid of Time can dispense time unto foes, pausing them in their tracks; a Maid of Life can grant so much life that they can revive the dead. Their boons are great and direct, straightforward in a similar manner to Knights. "Allowing control through their Aspect" grants them their uncanny managerial abilities, as their aspect dictates the realm in which nothing occurs without the Maid's knowledge or permission, a realm made available to whomever the Maid's allegiance lies with.
Thus, at their worst, the Maid becomes a saboteur. Exploited by malign forces, their abilities to allow control over others through their aspect, or control of their aspect, makes them perfect vehicles by which their aspect can be hijacked or usurped, and made to turn against the party, and they often find themselves placed into these positions through no fault of their own. It takes the party banding together to shake off the forces that would keep a Maid in bondage.
However, at their best, Maids ensure that the party can never go too far off the rails. There is a place for everything, and everything will be in its place; a Maid is a supply line, a safe haven, and a promise that everything will be neat and tidy when the party returns from war. When the Maid belongs to themselves, their homestead becomes a fortress, and nothing occurs under the Maid's watchful eye without their express permission.
PAGE
"One who works to inherit [Aspect] or inherits [Aspect] for themselves."
Pages are a class defined by promise. As the name suggests, a Page begins weak, but has the great potential to develop into one of the most powerful players in the game. The exact nature of a Page's powers are vague, not because they are insignificant, but because they are so great that it's difficult to encompass them all. At the apex of their arcs, Pages are capable of miraculous feats, overpowering even Lords and Muses - if only they could reach that point and stay there.
A Page begins the game weakest of all, reflective of their long journey of growth. Where most classes only fall into deficit of their Aspect at their lowest emotional points, Pages begin their arcs in deficit - exhibiting character traits opposite to those their Aspect normally encompasses. Moreso than any other class, a Page must learn to grow into their Aspect. Weak-willed, naive, and easily hurt, Pages require careful nurturing if they're to come into their own.
"Working to inherit their Aspect" describes the endless journey of growth the Page must undertake - one with many missteps, backslides, and setbacks along the way. Still, they "inherit their aspect," meaning that their full potential, when realized, is overwhelmingly great - practically becoming their Aspect in humanoid form, capable of utilizing it to its glorious full potential.
However, their nature defeats them, and even if they can attain this state, the Page usually can't stay there for long. At their very worst, the Page's deficit of their Aspect's better qualities can turn the Page into a gravitic well of misfortune - an albatross about the party's neck, the centerpoint, if not inciting incident, of a massive disaster, as their team is sucked in by the Page's natural weakness.
But this is only true as it contrasts to a Page at their best - having grappled and won with the greatest of all weakness, a Page is poised to come into the greatest of all strength. Shown kindness, compassion, and support, a Page at full power reflects a party at their best. A Page at full strength is breathtaking to behold, an unstoppable force of nature, their Aspect made manifest.
HEIR
"One whom [Aspect] grants inheritance or inherits [Aspect] for others."
Heirs, in contrast to Pages, start the game strong. They usually belong to the upper echelons of their respective societies, a position of great wealth, leisure, and comfort, and are set to be inheritors of even greater wealth. Similarly, their Aspect comes to them as if of its own will - it is powerful, but difficult for the Heir to control, reflecting the wealth and status they've enjoyed as birthright.
An Heir's main challenge is that of examining their privilege, and learning where they wish to spread the gift they've been given. Because of their positions of sheltered comfort, Heirs are not particularly world-wise, and often harbor massive blind spots to the suffering of others and the ills of society. As such, they tend to be fairly aimless, given great power but no strong motivations, and have a tendency to simply indulge in their Aspect without contributing great help or hindrance to their team at all.
The Heir's Aspect is practically an independent entity. Being one whom "their Aspect grants them inheritance" refers to how the Heir starts powerful, able to summon their Aspect to perform great, miraculous acts. However, it is highly intuitive and difficult to control. The Heir's challenge lies not in attaining great power, but in attaining control over, and the ability to direct, their existing abilities. Once they do, they can "inherit their Aspect for others" - Heirs become a conduit through which their party can experience their Aspect, making it a usable pool of wealth for them all to draw from. However, because of their comfortable positions, many Heirs end up dallying, finding no pressing need to do so.
But this dallying hides a ticking clock. An Heir's inheritance will come to them, one way or another, and if they aren't ready to receive the great responsibilities that come with such great power, then the power will eventually consume them. An Heir with no clear direction will eventually become lost to their Aspect, entirely removing both from play. Like how wealthy inheritors simply become part of the status quo, so, too, does an Heir disappear into their Aspect, fixing it in place.
Thus, Heirs must learn where they have been blind, where they have been foolish, and what it means to be underprivileged. Then, once they turn their energies towards addressing those injustices - to taking responsibility for building a better future - when their wealth comes to them, they'll be able to distribute it where it's needed most. An Heir, fully-realized, brings their Aspect to heel, and makes it a resource available to their entire team, as if welcoming them all into the family.
THIEF
"One who steals [Aspect] or steals using [Aspect]."
Thieves are, as the name suggests, greedy - much of their arc revolves around a desire to amass wealth, though what's considered "wealth" varies based on the Thief and especially their Aspect. They tend to be callous people by nature, capable of ignoring or trampling over the feelings of others in order to take what they want, in the hopes of filling an emotional void the Thief may not even be fully aware of.
The Thief's playstyle is one of careful resource management. Reflecting a natural tendency to take "wealth" from others, Thieves are unable to use their Aspect without first "stealing" it - a subtractive act which leaves the victim bereft of the Aspect, weakening them in the process. Because of the finicky nature of these abilities, it takes great cunning to be a Thief, and the Class both demands and requires the player to be adaptable, flexible, and quick on their feet, able to effect complicated schemes and engineer the perfect situations for their powers to have the greatest effect. Thieves aren't necessarily strong, but they have a very high victory ratio, because they're experts at turning a situation to their own advantage.
"Stealing their Aspect" refers to the fundamental way in which the Thief class is played, this resource management game; "stealing using their Aspect" reflects how the Thief often becomes a malignant force within the party, viewing their own teammates as caches of wealth to plunder. Thieves are naturally prone to hurting others for their own purposes, craving drama and attention, and being of such callous dispositions that they're able to perform extreme acts of cruelty given the right motivations.
Thieves often become a target of ire within the party, disruptive forces whose quest for personal wealth and fulfillment comes at the cost of those around them. At their worst, they can bring so much heat down upon their own shoulders that the party feels the need to treat them like an enemy, which is disastrous for party harmony. Moreover, it's disastrous for the Thieves themselves, as Thieves seek wealth to compensate for some emotional emptiness, and making enemies of their friends only serves to deepen their ennui.
Thus, a Thief must be taught that true happiness and fulfillment doesn't come from the struggle for wealth, but from the building of something better with those they care about. A Thief, thus turned to heroic purposes, becomes the party's pinch hitter - an adaptable spy, an unpredictable maverick, an element of surprise - and above all, a reliable ally, capable of turning any tide in the party's favor.
ROGUE
"One who steals from [Aspect] or steals [Aspect] for others."
Rogues, on the other hand, call to mind such figures as Robin Hood, stealing from the rich to distribute to the poor. Rogues are at their best when they're agents of a well-planned heist, as they possess an unlimited toolbox - their own Aspect - to play with. Their Aspect is a treasure trove, just waiting for the Rogue to plunder it and share its riches - if only the Rogue can figure out how.
Rogues are forces of revolution. They naturally carry a rebellious spirit, one which bristles at injustice, takes a stand against authority, and questions the status quo. Their ideas are unfocused, however; they know they must rebel, but usually don't start with a clear idea of against who or what. They know that their society is injust, but they don't know how to address that injustice. They know there are villains, and may even know these villains' identity, but they don't know how best to defy them. In a similar way, they're often lost as to how to utilize their Aspect beyond its most basic applications, and usually require external assistance in order to bring out its full potential.
Rogues' true potential lies in "stealing from their Aspect" - an additive act, rather than a subtractive one, as a Thief's stealing is. Rogues are capable of removing their own Aspect's sway over another entity, allowing it to exhibit the characteristics of the opposite Aspect; a Rogue of Void can create things out of nothing, a Rogue of Heart can tease out behaviors and actions. They can also "steal their Aspect for others," allowing them access to their own Aspect's suite of abilities as well. This allows the Rogue incomparable flexibility, their abilities - like their dispositions - rebellious and subversive.
But their rebellious spirit, coupled with their lack of understanding as to who their real enemies are, is dangerous when left unchecked. Rogues often suffer from a failure to start, giving up on trying to understand the deeper implications of their abilities, and of the society they can't seem to find contentment in - but they can also suffer from a worse fate: rebellion without a cause. Rogues' free spirits can lead to them bucking the status quo in ways that actively harm others, performing acts of taboo or poor taste just because that rebellious energy needs to be put to use somewhere. These can have disastrous knock-on consequences, as some things are taboo for good reason.
Thus, Rogues need to be guided - to make connections with others, and come to a greater understanding of the world at large. Once they know their target, and what needs to be done, the Rogue makes sure there are no obstacles along the way - no safe is uncrackable, no prison inescapable, and no problem unsolvable, so long as the Rogue is there to work their magic.
MAGE
"One who guides [Aspect] or guides [Aspect] for themselves."
Mages are prophets, of the "always correct" variety - or so it seems. In actuality, Mages don't "predict" the future, they "choose" it - in a setting where the future is mutable, the Mage's ability is to speak into existence a future they desire, to tip the scales of causality and collapse possibilities into a single definite course. Their Aspect is the lens through which their "prophecy" occurs, a realm in which they command the fabric of reality itself.
As if to karmically balance this incredible power, Mages are afflicted by deep and terrible sadness. They start the game miserable, having been subjected to the greatest injustices their Aspect can offer, tormented by guilt, shame, and self-loathing. Their worldview has been shadowed with a lens of suffering and anguish, and so, too, is their view of the future. Mages usually begin the game having already set several prophecies into motion, and these early prophecies are usually obstacles that the party must overcome.
Mages "guide their Aspect" - this refers to the way their prophecies, that is, their chosen futures, always come true. Their visions may be limited to the sway of their Aspect, but it remains a powerful ability nonetheless. "Guiding their Aspect for themselves," then, outlines the Class's Active nature - the futures the Mage picks must be ones the Mage believes will come to pass.
Unfortunately, Mages have a tendency to pick ugly futures. This isn't out of malice or anger; this is because Mages start the game sad, and without intervention, grow sadder. They're prone to spirals of negativity, self-loathing, and depression, and as their outlook dims, so, too, do their forecasts. Mages suffer, but even suffering can grow familiar - can even appear comfortable or desirable, if the Mage suffers long enough. It's easy for them to grow so accustomed to misery that misery is the only outcome they can see - spelling doom for the rest of the party, one prediction at a time.
But a Mage whose party shows them kindness and forgiveness, compassion and empathy, can pull them out of their misery. How beautiful, then, the future appears! A Mage who believes in a brighter future is a force to be reckoned with. When a Mage can bring themselves to say, "and everyone lived happily ever after," you had better believe they did.
SEER
"One who who is guided by [Aspect] or guides [Aspect] for others."
Seers, meanwhile, are the true future-sighted, able to see the myriad paths the future could take. Like Mages, their Aspect serves as the lens by which their vision is colored; the Seer can sense, with fine accuracy, which paths are closest to the sway of their aspect, and which paths will take them further away. As if gifted with a guide to the game, their intuition is tied directly to the mechanics of SBURB, and they serve as the party's guides, a role indispensable in a game with so many moving parts.
Seers will struggle with blindness, first by hubris and ego, and then by self-harm. Seers begin the game quite full of themselves, proud of their prowess in their Aspect - usually arrogantly so. When this pride is inevitably shattered, Seers have a tendency to deal with their feelings of shame and guilt with willful, self-induced blindness - as if flipping a switch, they become ashamed of the pride they once placed in their Aspect, and seek to place as much distance between it and themselves as possible. There's comfort in ignorance, even if it renders the Seer useless.
Seers are "guided by their Aspect" - able to sense its presence, they gravitate toward it, and towards futures with it in abundance. And, in the same way, they "guide their Aspect for others," lighting the way for others down the path of greatest reward. Seers truly love their Aspect, no matter how much they may misplace their faith in it, and seeking it out is a great joy for them.
This is why a Seer at their worst is so tragic. By inducing intentional blindness within themselves, they are functionally deadening the strongest part of their soul. No matter the temporary relief this brings to the sharp, jagged pain of shame, it invariably deepens the Seer's suffering, as they deny themselves not only their own joy, but their ability to help others - another act which inherently delights them.
Thus, a Seer needs to be made to deal with their shattered ego head-on, to accept their own shortcomings, to become at ease with the idea that they don't have all the answers. Once their vision becomes clear, and their view becomes honest, the party nevermore has to fear becoming lost or straying from the path - the Seer will see to that.
WITCH
"One who changes [Aspect] or changes [Aspect] in others."
Witches are the winds of change, tweaking reality all around them until it suits their desires. A Witch is presence that commands both fear and respect, and their Aspect bows down before them, reduced to a mere minion in the Witch's presence, ready to attend to all their needs. In a way, the Witch's powers are straightforward - they can manipulate their Aspect as they desire, changing its qualities as they see fit. "How they see fit," then, is where the issue lies.
Witches are usually of "outsider" status, never truly being part of the society from which the rest of the party descends. Free from the same rules and common sense that govern the others on their team, Witches instead operate on a value system heavily reliant on their own emotions. What a Witch deems to be correct, to be true, or to be righteous, are often based not in any objective measure, but in subjective, emotional bias - and they're emotional creatures, indeed. Prone to fits of great anger, Witches can be benevolent one second and malicious the next, and their abilities let them imprint, to a greater degree than any other Class, their desires onto the world that comes after them.
Witches "change their Aspect," as in, the crux of their abilities lies in manipulating the qualities of their Aspect in their surroundings - extending, shortening, magnifying, shrinking, growing, removing… so on and so forth. It's a fearsome power. They also "change their Aspect for themselves" - their Aspect is hapless but to obey their desires; Witches change the world to suit themselves, and their feelings of how things "should" be often become how things "are" in short order.
Thus, a Witch who has been swayed toward evil entities and nefarious ends is a truly dangerous opponent - and it is unfortunately easy for this to happen. Witches' social isolation means they tend to trust their emotions, and a force that flatters these emotions can easily win a Witch's trust. By the same token, those that fail to flatter the Witch are often considered enemies, even if they're benevolent forces. A Witch's morality can thus become warped and topsy-turvy, which has grave consequences for the world that the Witch then shapes.
Therefore, a Witch's struggle lies in learning to see beyond their own emotions, to take in the opinions and assistance of others even when it seems superficially unpleasant, to move beyond the childlike rejection of that which is uncomfortable. Once able to see a more nuanced form of right and wrong, once able to tell evil from good, Witches can build even utopia.
SYLPH
"One who allows [Aspect] to change others or changes [Aspect] for others."
Sylphs are nurturers and healers; they bring to mind fey folk whose very footsteps cause plants to grow. Wherever they go, whatever they touch, all becomes suffused with the Sylph's Aspect, which flourishes under their careful cultivation. Sylphs adore their Aspect, and their Aspect adores them; Sylphs generally feel at peace with themselves, surrounding themselves with what they like.
A Sylph's main challenge - or rather, the main challenge that Sylphs wind up posing the rest of the party - is that Sylphs are enablers. They're attracted to those with strong wills and extreme dispositions, amused by the havoc they wreak and pleased by their attention. Sylphs love to pick out favorites and lavish them with care and attention, excusing any wrongdoing on their behalf and shielding them from consequences. At the same time, those who don't strike the Sylph's capricious fancy find themselves discarded in the Sylph's mind, shut out from the boons the Sylph can provide.
A Sylph is "one who allows their Aspect to change others" - this almost always manifests as healing, as it's an additive ability (that is to say, the Sylph can grant more of their Aspect to someone). "Changing their Aspect for others," on the other hand, explains this enabling nature of theirs - the Sylph will intervene to make the world into a playground for their favored individuals, even to the point of turning other, less "interesting" teammates into playthings for the Sylph's beloved.
Thus, while the Sylph themself isn't particularly prone to wild mood swings and acts of malice, their influence can still cause disaster by allowing unscrupulous individuals to flourish - even encouraging their worst tendencies. A Sylph's touch is subtle, but that subtlety only lends it an insidious quality, as the Sylph quietly works against the good of the many for the cruel, selfish pleasures of the few. At their very worst, the Sylph can deem themselves their only favorite, and render everyone else a minor character in their one-man show.
Thus, Sylphs must be challenged. They must be made to reckon with the fact that favorable treatment is not necessarily kindness, and that bias can easily become harm. When a Sylph is able to grasp the difference between bias and doing good, and tune their approach toward that greater good, uncolored by bias and personal preference, then there is no place safer, kinder, and more conducive to growth than the Sylph's embrace.
PRINCE
"One who destroys [Aspect] or destroys using [Aspect]."
Princes are the most anxious, psychologically anguished members of a party. They suffer from a toxic overabundance of their Aspect - its traits are taken to an extreme, and not only the Prince, but those around them, are made to suffer for it. Princes are naturally set on a path of self-destruction, the culmination of their uncontrolled accumulation of their Aspect, and their meltdowns are spectacular, taking their Aspect - and whoever is unlucky enough to be in the same room - with them.
A Prince's challenge, therefore, is as simple to understand as it is difficult to overcome. The Prince needs to learn how to calm down, relax, and find inner peace. Princes are terribly prone to circular thinking and downward spirals. Their natural inclination is to feel anxious and responsible, like they carry the weight of the world, and this causes them to act out in extreme and aggressive ways. Eventually, others pull away, put off by the Prince's intensity. This only deepens the Prince's malaise, and Princes are - pushed by this hovering sense of urgency and catastrophe - willing to employ drastic, desperate measures to enforce compliance with their wills. They wake on their moons early, reflective of their driven natures. They're determined to a frightful degree, and no sacrifice is too great, no work too dirty, if it means achieving what they see as the greater good.
Princes "destroy their Aspect" in this way - by presenting their Aspect at its worst, they make others take distance, ruining it for everyone else. Their hard wills, intense emotions, and unshakeable drive to do what (they feel) needs to be done - at any cost - is their source of power. Thus, Princes "destroy using their Aspect" - their toxic overabundance of Aspect lets them channel it into a pure, annihilatory force; what they lack in the delicate utility of the other classes, they make up for in raw, ruinous power. Princes can easily deal the greatest damage in a combat scenario, their ability to destroy overriding nearly everything that would stand against it.
Thus is the problem with Princes. They're ticking time-bombs of anxiety and frustration; when they finally go off, they carve a path of destruction, before ultimately self-destructing, leaving no trace of their Aspect behind. Not only that, but it's very difficult to defuse the bomb early; Princes have finicky, aggressive, and complicated personalities, and tend to react poorly to straightforward attempts to calm them down and reason with them. They often appear to be their own worst enemies, marching inexorably toward their own destruction.
But Princes not only can be saved, but must be saved. They must be saved because kindness and compassion must exist for their own sake, and a Prince rescued from their own worst tendencies is living proof of the truth of that sentiment. A Prince, given the peace they need to reorient their priorities, will not rest until they see a brighter future realized. They will be the first to rise, and the last man standing, banishing - as if by royal decree - all obstacles, all enemies, all misfortune, and all ills.
BARD
"One who invites destruction through [Aspect] or allows [Aspect] to be destroyed."
Bards are the wild cards of a party, responsible for both improbable victories and catastrophic defeats - sometimes both in a single session. The methods by which a Bard works are a mystery to even the Bard themselves, which make it easy for the party to dismiss their powers - and, by extension, the Bard themselves. After all, who would expect there to be consequences for something so ridiculous as a Bard?
Bards are usually targets of abject ridicule by their teams. They can't help it - they're religious types, or at least types that hold great, lofty, ridiculous beliefs near and dear to their hearts. A Bard's primary struggle invariably winds up being a crisis of faith. Bards begin the game with a positive, "correct" faith in their Aspect; however, something will inevitably occur that shakes the Bard's faith in this viewpoint to its core. In this state, Bards are incredibly fragile, and it's very easy for them to succumb to whispers of cruelty and destruction, for their beliefs to warp, and for the Bard to come to serve the worst aspects of the society they represent.
A Bard "invites destruction through their Aspect" - their powers are subtle, but have catastrophic effects. Bards are instinctively drawn towards causing the first flap of a butterfly's wing, which cascades into a grand, impossible karmic backlash. They "allow their Aspect to be destroyed" by being the conduits for the forces of their faith - whatever faith they hold - to wreak unimaginable consequences across the game.
Thus, a Bard must not be allowed to fall into darkness. The cost is too great. They must be treated with kindness, patience, and sincerity, and given a chance to re-establish their faith in a better, brighter future. If this can be done, then at the party's direst moment - in their darkest hour - they will find that kindness paid back a thousandfold, as an innocuous act by the Bard that no one remembers balloons into a miracle.
#homestuck#homestuck analysis#classpect#classpecting#classpects#homestuck classpect#this essay is 10k words long#you may be wondering why i didn't split it up into smaller essays and the answer is pretty simple#so many of these ideas are interconnected and interrelated that it's not actually useful to hear about JUST Hope or JUST Maids or JUST Heir#like even aside from the equal-and-opposite splits#(which is how some of the less thoroughly explored classes and aspects need to be understood)#there's things like how pages actually start in deficit of their aspect personality-wise#jake has few convictions and is wishy-washy - tavros lacks freedom and independence - horuss lacks simplicity and emptiness#this isn't something you would “get” if you didnt know about the way aspect is tied to personality#it's fascinating because if you compare characters that share the same class similar things keep jumping out#but yeah again i have textual evidence to support every claim so please feel free to ask#i just couldn't justify doubling or even tripling the length of the essay to include things like#'ever notice how karkat - the BONDS and FRIENDSHIP knight - has a big Leader Who Dont Need No Friendship persona#and how dave - the Details and Minutiae knight - has a disaffected coolkid who doesn't give a shit about anything persona#and how latula - the Justice and Cunning knight - has a loud dumb obnoxious gamegrl nice-to-everyone persona#which she even admits is a persona she uses to hide how smart she is out of the apparent anxiety that people won't like her otherwise#i know people will object to the heir thing because 'mituna was oppressed on beforus' but let me clarify here#heirs are set to inherit comfortable lifestyles and wealth *by the standards of their society*#john is literally the heir of crockercorp and equius is blueblood nobility#but if you really think about it those aren't necessarily happy outcomes either#john would've had to become a stuffy businessman like Dad (and an evil capitalist lol)#and equius is also Still Oppressed and would've had to become a murderer cop#but it's still a position of wealth and comfort *for their society* - mituna would've been culled (like sollux)#but that would've meant being pampered and provided for#which is a great deal by the standards of his society regardless of how good or bad (bad) it actually is in practice
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fbfh · 8 months ago
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Thinking about lazy morning sex with Jason Grace. Making him feel so wanted because you’ve just woken up and there’s a million things you could be doing but all you want is him. Imagine his brain short circuiting at the concept of being the first thing you want when you wake up. He’s not an afterthought anymore and he just can’t wrap his head around it.
Jason is so sweet in the morning. He's all disoriented and drowsy, his eyes are all puffy from sleep and his glasses are sitting on the night table where he left them last night. his blonde hair looks like he got struck by lightning, which in all honesty wouldn't surprise you knowing him. his cheeks are all flushed and his muscles are all soft and relaxed. he's never been relaxed before ever, and it's only since he started sharing a bed with you, snuggling up with you and feeling your soft little good night kisses that he's known what peace feels like. so that particular morning, birds and cicadas singing outside, the ac blasting cold air over you and your blonde superman of a boyfriend, you just can't resist him. you're so right that he's not used to not being an afterthought. this is literally Jason whenever you express how much you love him or even do the bare minimum, much less treat him the way he deserves to be treated. you're like I love you so much and he's like whhhat??? whhat is going on????? what the hhhell are you tahlking about?????????? then you kiss him and his brain short circuits. this morning in particular you just can't resist him. you start peppering his puffy sleepy face in kisses. he's barely awake, he's blinking one eye at a time and thinks it's dream. then you climb on top of him, and that really wakes him up. his brain understands unbelievably horny hottie and sitting on my morning wood, but he can't get much further than that. he can't connect the two, make himself realize that he's the reason you're like this. and quite frankly if he did his head and balls would explode so violently neither of you would come back from that. so as you ride him, languid and lazy, soaking in every electrifying sensation of pleasure shared between you two, as you indulge yourself in touching him, kissing him, anywhere and everywhere you possibly can, you decide this is a good starting point. your breathing gets faster and you keep moaning out his name, sighing it into his lips over wet, messy kisses that just get deeper and deeper and he can't believe his ears. but he really wants to. you decide this is a good place to start. maybe after a few more weeks of riding his morning wood till he's nice and soft, he'll start to get the hint that you really, really like him. like, a lot.
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halflifebutawesome · 7 months ago
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movie night
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portaldraws · 4 months ago
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Something I've been working on for while now: Mini Fools Gold!
He's my one of my favorite hunters and as such I wanted to make him real. He was a little tricky to sculpt especially with all of his floating elements but he's been a lot of fun to make!
(Extra pics & details under the cut!)
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I've also made his birdcage and pil lamp accessories which are EXTREMELY small!!
I do plan on making a small scale version of the dining tray with his favorite food too but I haven't started on that just yet.
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One more thing, his Pickaxe is removable!
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choccy-milky · 5 months ago
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I would do anything to see Clora clobber the fuck out of Duncan fr
LMFAOO THIS IS SO FUNNY...ITS JUST SO RANDOM IT MADE ME LAUGH WHEN I GOT IT BAHAHA😭😭 so here you go anon, just for you 😌🙏
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yes he is!! i headcanon that him and clora grow old together and once clora dies of old age, seb's job of protecting her is finally done so he breaks the horcrux and then follows her soon after 🥲 that means she'd die before him tho/he'd watch her die AND I HATE THINKING ABOUT THAT...SO I DONT....Kat_12739 on ao3 wrote about it in chapters 11 and 12 of every teardrop is a waterfall and in her version/story, sebastian outlives clora AND lewis and celeste, and its only once theyre ALL dead only then does sebastian break the horcrux and let himself die/meets them in the afterlife AND GIRL U BETTER BELIEVE I WAS SOBBING MY EYES OUT WHEN I READ THOSE CHAPTERS LMAOO so yes seb is immortal and will outlive clora BUT WE DONT THINK ABOUT THAT!!!!!! TRALALALALA
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yandere anon idk who you are but i love you, the fact that you sent this ask IMMEDIATELY after i talked about which wip i should work on next is so funny. YANDERE SEB IS NEXT JUST FOR U, DW🫵
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skunkes · 6 months ago
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day 1 med dosage raise
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alicornze7 · 7 months ago
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AvM fandom is this accurate-
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(pls don't burn me at the stake)
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burningcheese-merchant · 2 months ago
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A Thought About Shadow Milk Cookie
I actually meant to make this post months ago, but I sort of let it fall to the wayside for the sake of other things. Now Blue Gatorade Cookie is coming out tomorrow and I'm like "ahhh shit I'm late" lol. Consider this a sequel/accompanying piece to the Burning Spice Cookie post
Shadow Milk always gave me a bit of the impression of being a Victor Frankenstein type. If you haven't read the book (please do, it's fantastic), then this quote sums up both the character, the story, and my perception of Shadow Milk pretty well:
"Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow."
Knowledge is power. Knowledge is freedom. Equally so, perhaps even MORE so, knowledge is fun. It's fun to learn new things. And with all of this in mind, Shadow Milk did his best to pursue the knowledge he so championed, and share it with the world, whatever it was. You give a man a fish and he eats for a day; you teach a man to fish and he eats for a lifetime. So Shadow Milk made it his mission to teach all men to fish. To teach them to read, to cook, to sew. To teach them magic, to teach them science, to teach them whatever filled the gap between. Perhaps he even went so far as to become a close associate of a certain academy, if not outright being its founder (Blueberry Yogurt Academy theorists, where you at lol). Anything to achieve the ultimate goal of inspiring others to learn and thrive as he does.
But as I said, knowledge is fun. There doesn't necessarily need to be a reason for it. Maybe Shadow Milk never actually needed one; even if there was no one left to teach, he could always teach himself, for he was always his own greatest student. And so whenever he had time, he read every book he could get his hands on. Practiced every spell. Sang every song, recited every poem, memorized every bit of meaningless trivia. Anything and everything to feed his endless hunger for more knowledge. Because it was... fun. It was freeing, to have those little burdens of doubt lifted from his shoulders, however inconsequential they actually were. And - however much he was able to admit it, to himself or to others - it made him feel powerful.
Until he started learning things no one else had before. That no one else could. That no one else should.
Maybe he learned how to peek into people's minds, and saw exactly how vapid, selfish, stupid and cruel so many of us really are beneath the façades we wear. Maybe he uncovered secrets that accidentally tore apart families, scandals that threw governments into chaos, acts of betrayal that may have started wars. Maybe one day, he learned the ultimate truth of the world; who and what cookies were really supposed to be, and what their makers really thought of them. (Not too far off from White Lily, really.)
In his desperation for solutions as well as some semblance of self-comfort, Shadow Milk just kept on learning. Kept searching for answers. Kept acquiring more and more knowledge. Because it was all he ever knew how to do. It was all he believed himself to be good for. But it was never enough. Not only did he never truly find the answers he sought - whether it be because they never existed in the first place, or because whatever he found only made him ask even more questions than before - but he just kept going down more and more rabbit holes. And he couldn't stop himself-
No. That's not true. Of course he could. He just didn't want to. Because knowledge is power, and deep down inside, he was always power-hungry. And besides that, he was just so curious. Morbid curiosity can be a terrible sin. Perhaps a small part of him, one he never wanted to give credence to, relished in being smarter than everyone else. And maybe that same part of him was also hubristic enough to believe he could learn whatever he wanted to, whenever he wanted to, just because he could.
Perhaps Shadow Milk tried to sound the alarm, so to speak. Share those great and terrible truths he uncovered with the world. But nobody listened, no matter how much they believed in and respected him otherwise. Because the truth is stranger than fiction, more often than not, and there's only so much strangeness people can tolerate. Knowing this - knowing how foolish people can really be, how quick they are to shun the truth to protect their own feelings - he looked for another answer, like he always does. Shadow Milk always had a fondness for theatrics; he wasn't just a scholar, he was a poet, a playwright, an artist. And thus, it was with these talents and loves of his that he tried to teach people what he knew. He wrote stageplays that became famous. Fantasy novels that became bestsellers. Poems and essays that were read aloud in classrooms. Everything he could throw at the wall with as much panache as possible. Because that's who he is, and that's what people are more likely to listen to. People like bread and circuses, so he gave them a whole bakery and performed every circus act himself.
But it was never enough. Those threads of truth he so carefully wove into the tapestries of his work; no one felt them. Those easter eggs he hid; no one found them. Nobody ever saw what he saw, whether he snuck it into the picture or plastered it right in the center. And so Shadow Milk came to realize that no one ever actually wanted to know the truth, no one ever actually wanted to learn anything, no one ever actually valued knowledge. All people cared about was what they could personally gain from it and nothing more. No higher purpose of any kind. Just what conveniences and inconveniences them.
And what's the point in helping people like that? How do you teach the unteachable?
Shadow Milk likely became bitter (or sour, because lol milk). Maybe he slowly began turning truths against people. Hoarding people's secrets and spilling them randomly, just out of spite (and discreetly, because he wasn't looking to be caught, and nobody was smart enough to catch him anyway). Making puppets and plays depicting people at their absolute worst, and watching them all smile and clap because they fell for it. They fell for his jokes. For his ruse. They didn't notice he was mocking them without a shred of irony or remorse. The only art Shadow Milk became interested in after he succumbed to despair was telling cruel jokes at others' expense and painting pictures for all the Dorian Grays of the world so they can keep lying and pretending they're good and that they're worth something. Because lies are all people really want to hear, right? Because it makes them feel better about their miserable lives?
I'm sure Shadow Milk tried to turn back, even if only once, for just a minute. He's smart, he's wise, he knew what the end of that road looked like. Maybe he sat up all night just arguing with himself about it. About the nature of his work. The meaning of the knowledge he acquired. The meaning of knowledge itself. What was he doing this for, really? What has he EVER done this for? Was it really for others, or for himself? What if he gained all the knowledge in the universe, then what? What would he do after that? What if he did manage to convince people, what then? What if they panic? Turn on each other? Turn on him? Were they really better off not knowing?
Was he just slowly talking himself through that door until it was closed and locked? Did he do so knowingly? Did he delay the inevitable for... for what? Did he even know that?
All the knowledge in the world didn't save Shadow Milk from falling to darkness, nor did it save anyone from the chaos he chose to wreak afterwards. Maybe knowledge never saved anyone from anything. What is knowledge, anyway? What is truth? What is deceit? The more you know, the more you realize you don't know anything at all. Maybe truth and deceit are one and the same. Maybe reality is only what you perceive it to be. Maybe life is a joke. Maybe people should just have fun. Lie all you want. Tell truths just to drive wedges and shatter hopes and dreams. It doesn't matter. It's all the same. There's no way out.
TL;DR: Knowledge is power, but power corrupts. Perhaps not all truths are worth knowing, after all. Be careful with what you learn, and what you know. And be careful not to believe yourself to be smart enough to dictate what truth and lies and knowledge are to others, for no one truly is. That kind of hubris will only lead to disaster.
(I'm sorry if some of this sounds weird or doesn't make full sense. I wanted to get my thoughts out before the update to see if it turns out that anything I say has official merit lol)
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king-candybug-backup · 16 days ago
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Me, getting an idea for the most disgustingly heartbreaking scene ever in one of the later chapters:
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(image from this comic lol)
(ALSO BIG THANK YOU TO ALL THE BEAUTIFUL KIND TALENTED PEOPLE THAT'VE GIFTED ME WITH SUCH AWESOME KILL SWITCH ART, YOU HAVE NO IDEA HOW MUCH IT'S BEEN FUELLING MY WRITING MOTIVATION!!! 😭😭😭 The next couple of chapters had been ones that I've been struggling with because it's like, this weird little cluster of things that needs to happen before we get into The Big Finale Chapters, but y'all's love and support has been firing me up like CRAZYYYY, I FREAKING LOVE YOU GUYS, OH MY GOSHHHHH, I SERIOUSLY NEED YOU TO KNOW THAT I GO BACK AND LOOK AT ALL THE FAN-ART ON LIKE A BORDERLINE DAILY BASIS, IT MAKES ME CRY TEARS OF HAPPINESS AND I SERIOUSLY CAN NEVER THANK YOU GUYS ENOUGH AAAGGGHHHH)
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rhynee · 1 month ago
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Oh you hate Lance Stroll because he's a nepo baby? You a Lando Norris, Carlos Sainz, Charles Leclerc, FORMULA ONE fan, Hate Lance because he's a nepo baby?
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batbabydamian · 3 months ago
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Hellooo it's a been a minute- feel free to ignore BUT if you'd be so inclined... thoughts on the latest batman and robin issue? I absolutely adore Damian volunteering at the hospital, it's such a sweet step in his character arc (also something abt how Thomas AND Ras were both doctors, Talia was studying medicine in Cairo when she met Bruce, Alfred was a personal surgeon for Bruce for years...the one thing his family has in common is healing) and I'm very interested in the whole "Damian maybe quitting robin" thing. I doubt they'll commit to that (bc then they don't have a book lmao) but it's still an interesting question to ponder. I've seen ppl speculate that the doctor Damians volunteering for is a suspect and he's trying to drive a wedge between batman and robin?? So that's a possibility.
Anyway yeah! Sorry for the big blab but I like your Damian thoughts and figured it was worth striking up a convo. Hope you're well!
Damian blabbing is always appreciated!! 😤 i’m swamped with irl responsibilities so rambling about the series has been delegated to yapping sessions with @gotham-snark LOL so i’ll tag her in for any further thoughts!
Damian volunteering at the hospital!! is so sweet!! orz hopefully it becomes a part of his civilian life or a future in the medical field… i lean toward Damian pursuing something wholly his own but this healing route is something i’m still happy with, especially for the reasons you mentioned with both sides of his family! 🥺 also like you said, just a beautiful character arc for him when fighting has been the priority for most his life, which Bruce has pointed out enough lol
idk if Damian will have the same medical skillset in this run, but i like the idea of him being this incredibly capable lil hospital volunteer 😆
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Detective Comics (2016) #995, #996 (it’s a simulation in these panels but his skillset's gotta be part of the database) not that they'd let him but imagine this kid participating in surgical operations at the hospital haha
Damian's comment about quitting looks more like a nagging thought after all the recent events, from the incident with Emma to learning more about himself and Thomas. another glimpse of his uncertainty in his future!!
but ykw i’d take him quitting the vigilante life over becoming Batman in whatever future TKing’s hoping with Trinity now being canon sdfghj please PKJ take Damian far from that i’m begging... seriously though, yeah! he's absolutely not quitting when he's making regular Robin appearances in other books and confirmed for a movie in the future (the latter idk for better or worse...)
it’s interesting to get more in depth with how Damian is affected when he “loses” a civilian on his watch - even worse that she’s a child, and Damian mentioning that he was mean to her augh 😭
it reminds me of how much responsibility Damian takes when he feels that he's failed people, like Sasha/Scarlet and ofc Pennyworth. not to mention the entire Year of Blood
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Batman and Robin (2009) #6
with Sasha, it was briefly explored. Damian expresses his feelings to Dick, who replies with a joke. Damian helps Sasha against Flamingo and ends up getting shot, but it's not clear whether he calls it even for taking the bullets to his back or just for the save. alternatively, she did leave Damian with Flamingo to run away, kinda like how Damian left her with Pyg. either way, that inner conflict's quickly resolved!
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Batman: Alfred Pennyworth R.I.P. (2020) and Robin (2021) #8
with Alfred...what a mess asdfg but disregarding Bruce/Alfred being the ones at fault, Damian's guilt spans over so many titles from 2020 to finally having a resolution just this year
all this to say again!! that this Batman and Robin run is an amazing jumping-on point for new and old readers to read a complete arc with this kind of conflict for Damian!! very invested in how he's been trying to deal with it, along with the ensuing drama with his father!! even though we're not getting Damian's full thoughts yet, the image of Emma lying on the ground replaying in his mind has been so impactful 😭
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speaking of Alfred, this!! cheering!! Williamson's made an attempt to show it was Bruce's mistake but still ended up making Damian the instigator. so it's nice to see PKJ continuing to make it clear!!
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Shadow War: Alpha (2022) and Robin (2021) #14 the way i cheered in Shadow War then sighed at Robin 14 hhh it's like Damian can only make jabs at blaming Bruce in the heat of the moment. is it a rule not to say that Bruce made a wrong call back then and got Alfred killed...
Dr. Bashar lol we can count him out based on him being too obvious a suspect like the classic finger pointing of “it’s the doctor!!”. he was supposed to be trapped in the ballroom with Damian and the guests which should've been in flames. he's also just been v nice with Damian 🥺 OR SLAPPING MY CONSPIRACY BOARD Bashar could be part of the Nicodemus Crow cult/Mementist/Memento 🤔
a friend of the late Waynes and met Bruce as a child? introduced along with a new villain that’s themed around reenacting past tragedies? HUH
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some headscratchers in issue #16!
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Damian's learning more about Sacred Heart from Thomas's journals, so could there be more to the restored hospital? and then there's the convenient mistake in scheduling Damian during the setup at Arkham, putting Bruce at a disadvantage and a lack of a rebreather
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clearly we need to wait for further issues to know more about what went down between Bruce/"Jack" and Memento, but just funny how Bruce says this while Damian is probably with Bashar at this moment lol
it also doesn't help that the Jack flashbacks are being paralleled to Damian in the present day, so whatever's the final flashback could mean big trouble or big reveal
extra details i'm squinting too close at, like really reaching here:
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Bashar and Memento are both mr. worldwide...
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if Bashar's aware he has people against him, he could've been the "supposed sympathizer" supplying weapons to the thugs to encourage a break-in. if Bruce hadn't gone down to the lower levels to deal with them, he wouldn't have had that face-off with Memento in the boiler room
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Emma’s mother as a nurse recently stationed at Sacred Heart? could even see a possible interaction with Damian
EDIT: i was so caught up on Bashar, i failed to mention Lautrec LMAO (i even missed reading an entire panel about her until Nico mentioned it hsjddj BLESS) but she seems to be a big player just based on the fact that PKJ and Mendonca are selling the issue as a “first appearance” for her!
GODD THIS RUN IS FUN every issue is meaty, and always leaves us hungry for more like woah!! potential character development!! family drama!! engaging mysteries and detective work!! DAMIAN!! i rambled more than i thought haha I'D LOVE TO HEAR MORE BATMAN AND ROBIN (2023) BABBLING!! OR ANYTHING DAMIAN!!
THANK YOU FOR THE ASK LADEL, I HOPE YOU'RE WELL TOO!! ☺️
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arolesbianism · 4 months ago
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May I offer some Siffrins on this fine day
#keese draws#isat#isat siffrin#sasasaap siffrin#comic siffrin#I was going to do more doodles but I ran out of steam rip#anyways I have Many comicfrin thoughts but they are still in the oven a bit#but the main thing I wanna clarify is that comicsif’s loops started much earlier than the other two#as in. the beginning of their journey early.#which considering they were a part of the party from the start in this au their loops lasted a While#they ofc eventually started speed running it a lot more but even then it’d still take them at least a month#not counting looping forwards and backwards ofc#I wanna take a crack at drawing their party soon but I wanna do some more brainstorming first#I have very clear visions in my head for two of them and basically nothing for the other two#one of them is also there from the start and in fact she’s the reason siffrin came to vaugard in the first place#she was going to visit her family at home and they knew that a family friend of theirs had an uncle that lived there and decided to tag#along to say hi. unfortunately while they were at dormont something attacked the castle before they could go… go…#hm. that’s strange. a glitch rewind effect happened and I seem to have lost my train of thought. how odd#anyways they and their friend were quite shaken ofc but their friend is brave! so she decided that they needed to do smth abt this#at which point comicfrin was given the cosmic rundown on the timeloop situation#smth that would not be repeated for the other sifs lol#new game+
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buwheal · 10 months ago
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Not sure if you ever mentioned, but what IS your favorite flavor? I can't tell from looking at the cake.
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akkivee · 2 months ago
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saw a few charts that assumed how old everyone would be if they aged with how long the series went (and therefore everyone has the same birthday september 2 lol) and transcribed it lol
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